The theory of literature, theory of character and characterization and theory of Literature and psychology, on-line articles and essays as the secondary sources. The information supporting theĪnalysis was gained from the novel itself as the primary source and books on TheĪpproach used was psychological approach. The research method employed in this study was the library research.
It also aims toĭiscover the description of Hanna Schmitz’s inferiority complex and its causes. To find out the description of Hanna Schmitz’s character traits. In the story? (2) How is Hanna Schmitz’s inferiority complex described? (3) WhatĪre the causes of it concerning with the character traits? The aims of this study are This study is intended to answer three questions of the problemįormulation, namely, (1) How are the character traits of Hanna Schmitz described She feels inferior for being an illiterate person. In The Reader, theĬharacter Hanna Schmitz deals with this psychological issue which is known as This feelingĬan accumulate and can be worse if one cannot manage it well. Sanata DharmaĪn inferiority feeling occurs in life since people were born. Faculty of Teachers Training and Education. Language Education Study Program, Department of Language and ArtsĮducation. The Inferiority Complex of Hanna Schmitz as Portrayed in Bernhard Schlink’s The Reader. But he feels European and lives part-time in European countries, so I count him as one here.Ratri, Epiphana. Like a great novel, we are left to wonder.īut I purposefully say “like a great novel,” rather than calling the novel itself great. The book just ends with a statement so devoid of interpretation that the feeling it must submerge becomes enhanced all the more because of its hiddenness. Although this is overly abstract, perhaps I’m given to say it by having just finished The Reader, which challenges us to read the unreadable, and my chief response to it has to be a level above the action itself. It’s almost as if the denial of a character’s interpretation, or the uncertain certainty they display when they do give interpretations, are or should be a statement of what we won’t know. What is it about these Europeans-Schlink, Milan Kundera, and Mario Vargas Llosa*-who write short, sheer novels in which scenes are described and then left, like shards of a pot or torn pages from a book, for us to construct, or reconstruct? The length of the mostly rhetorical question probably indicates how little of an answer I can give. This novel is hardly alone in its remote, abstract mode. Alas: those apt sentences like the one describing Michael’s illness tantalize us for more, and yet they are not forthcoming. Or maybe he was always this way, and that’s what brought him to Hanna and her secrets. Perhaps this event combined with natural temperament and his liaisons with Hanna make Michael himself. Some descriptions in The Reader are simple and true enough not to need elaboration, and those who have undergone extensive trials will recognize what happens when Michael’s bout with hepatitis renders him hospitalized for months: “although friends still came to see me, I had been sick for so long that their visits could no longer bridge the gap between their daily lives and mine, and became shorter and shorter.” Then again, Michael does not make friends easily, and his eventual wife is a ghostly presence who seems to affect him less than the hepatitis, or, for that matter, the weather. Chapters of Michael’s life end with a similar lack of fanfare, and The Reader is, at its base, a novel that almost demands readings as analytic as its protagonist is inclined to give. Chapters end with no sense of ending beyond the beginning of the next chapter. There is a third part I will demure from speaking much of to do so would give too much away in a novel that often feels like it gives too little away, especially of its feelings. A young man with an older woman named Hanna feels the sensual as well as their, and its, doom, while the second, comes from an older lawyer who finds that his first love, if one can call it that, is being tried for crimes that would seem astonishing if not for the time period and location.
#The reader by bernhard schlink essays on hana full
“What is else is the history of the law?” he asks, and one might ask the same of history, full stop, or of love The Reader implies that there is no answer save that the law, history, or love have whatever purpose we graft onto it, just as one could argue for a sensual reading of the novel, especially in the first part, or a philosophic, especially as Michael grows older. Bernhard Schlink’s The Reader is sensual and philosophical, moving from the former, which predominates in the beginning, toward the latter in a manner “both purposeful and purposeless, successful and futile,” as Michael describes the journeys in the Odyssey.
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